![]() Across Europe, the industrial revolution had given rise to the economic, physical and social transformation of the city in ways that presented a number of challenges. However, although the book remained without an English translation until 1945, as a counterpoint to the increasingly dominant modern planning practices it was to find considerable favour amongst the architectural wing of the planning professions within the Germanic speaking countries and beyond.Īt the time of its publication, both the nature of the city and also, the practice of city planning were in a state of transition. In fact, the Viennese City Planning Office took little notice of Sitte and his status as a bureaucrat seemingly barred his entry to the Austrian cultural elite. ![]() The book’s lengthy subtitle, A Contribution to the Solution of Modern Problems or Architecture and Monumental Sculpture Especially with Regard to the City of Vienna is revealing: Sitte’s immediate motivation was his disillusion with the 19th century transformation of his home city. In 1889 when the Viennese architect and art historian Camillo Sitte published a collection of essays under the title City Planning According to Artistic Principles, it was to create an impact that went significantly beyond the somewhat parochial Viennese cultural milieu within which Sitte was immersed.
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